3. JUNE 3 ARGOS Michels/Voignier, Downstairs What voices do we hear? Who speaks for whom? Who speaks to whom? How are differences negotiated? Who has to do most of the accomodating? To make way the most? What do bricks do? (Houses, walls, a living.) Why is some of the media glitched, low res, 3 channel, projected, on tv, in earphones, audio in room? What is the effect of each decision on each piece? Van Lancker] Upstairs Surround 5-channel. Projection on concrete pillar. Through plexiglass on brick wall. Multiple audio headphones with film projection. What were the text quotes in the refugee camp surround video from (inferno). Did you walk around plexiglass space? How was tgat experience? How different than other multichannel videos? Same channel, multiple perspectives as body moved. Why seats? Why standing? ----- Compare upstairs and downstairs? Which more visceral, which more cerebral? Why? Which more individual/subjective, personal? Which more detatched/media-critical? Why? What would you call the space? ------ How did the whole thing tie together? Why is "what does it mean? What is it about?" not the most useful question? -- Susan Stewart affect questions: What is affect? How does it work? ------------------------------------------ Société (d'Électricité) [Earth & Sky exhibition] What is the relationship between the online world and the offline world? What is the relationship between the digital and the analog? How does this exhibition challenge these binary distinctions? What is relationship between old works and new works. How difficult is the work technically. a single immanent world (Whitehead) ---------------- Each person prepare one question for Lucille, based on her work (audio, performance, or video).